SanteMusiqueV1, Main, Exploration, bibRecord, 001D82

Effect of music training on monaural perception of pitch and rhythm.

Identifieur interne : 001D82 ( Main/Exploration ); précédent : 001D81; suivant : 001D83

Effect of music training on monaural perception of pitch and rhythm.

Auteurs : P A Huf [Australie] ; S P Parker ; M P Corbo ; K M Stevens

Source :

Perceptual and motor skills [ 0031-5125 ] ; 1996.

RBID : pubmed:8774019

Descripteurs français

KwdFr :
- Adulte (MeSH), Apprentissage sériel (MeSH), Aptitude (MeSH), Attention (MeSH), Dominance cérébrale (MeSH), Femelle (MeSH), Humains (MeSH), Musique (MeSH), Mâle (MeSH), Perception de la hauteur tonale (MeSH), Perception du temps (MeSH), Psychoacoustique (MeSH).
MESH :
- Adulte, Apprentissage sériel, Aptitude, Attention, Dominance cérébrale, Femelle, Humains, Musique, Mâle, Perception de la hauteur tonale, Perception du temps, Psychoacoustique.

English descriptors

KwdEn :
- Adult (MeSH), Aptitude (MeSH), Attention (MeSH), Dominance, Cerebral (MeSH), Female (MeSH), Humans (MeSH), Male (MeSH), Music (MeSH), Pitch Perception (MeSH), Practice, Psychological (MeSH), Psychoacoustics (MeSH), Serial Learning (MeSH), Time Perception (MeSH).
MESH :
- Adult, Aptitude, Attention, Dominance, Cerebral, Female, Humans, Male, Music, Pitch Perception, Practice, Psychological, Psychoacoustics, Serial Learning, Time Perception.

Abstract

A monaural study of music perception was conducted on 77 right-handed subjects from a university population. The musical ability of each subject was classified in two ways, according to years of training and by total score for three tests of musical achievement [melody (sequence and excerpt), harmony, and rhythm]. Analysis indicated that subjects with more years of training showed a right-car dominance for recognition of excerpts but those with high scores had no such dominance. Both groups with either low scores or no formal training had a right-ear dominance for recognition of sequences. Correlations of scores from each ear within subjects and between tests indicated that perception of pitch tended to be more accurate in the same car. For all classifications of subjects no ear dominance was found for harmony and rhythm tests. These results suggest that the measurement of hemispheric asymmetry of music perception is dependent upon the criteria chosen for classification of subjects, in this case, training and achievement.

DOI: 10.2466/pms.1996.82.3.843
PubMed: 8774019

Affiliations:

Australie

Links toward previous steps (curation, corpus...)

to stream Main, to step Corpus: 001D71
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Le document en format XML

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<term>Aptitude (MeSH)</term>
<term>Attention (MeSH)</term>
<term>Dominance, Cerebral (MeSH)</term>
<term>Female (MeSH)</term>
<term>Humans (MeSH)</term>
<term>Male (MeSH)</term>
<term>Music (MeSH)</term>
<term>Pitch Perception (MeSH)</term>
<term>Practice, Psychological (MeSH)</term>
<term>Psychoacoustics (MeSH)</term>
<term>Serial Learning (MeSH)</term>
<term>Time Perception (MeSH)</term>
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<keywords scheme="KwdFr" xml:lang="fr"><term>Adulte (MeSH)</term>
<term>Apprentissage sériel (MeSH)</term>
<term>Aptitude (MeSH)</term>
<term>Attention (MeSH)</term>
<term>Dominance cérébrale (MeSH)</term>
<term>Femelle (MeSH)</term>
<term>Humains (MeSH)</term>
<term>Musique (MeSH)</term>
<term>Mâle (MeSH)</term>
<term>Perception de la hauteur tonale (MeSH)</term>
<term>Perception du temps (MeSH)</term>
<term>Psychoacoustique (MeSH)</term>
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<term>Aptitude</term>
<term>Attention</term>
<term>Dominance, Cerebral</term>
<term>Female</term>
<term>Humans</term>
<term>Male</term>
<term>Music</term>
<term>Pitch Perception</term>
<term>Practice, Psychological</term>
<term>Psychoacoustics</term>
<term>Serial Learning</term>
<term>Time Perception</term>
</keywords>
<keywords scheme="MESH" xml:lang="fr"><term>Adulte</term>
<term>Apprentissage sériel</term>
<term>Aptitude</term>
<term>Attention</term>
<term>Dominance cérébrale</term>
<term>Femelle</term>
<term>Humains</term>
<term>Musique</term>
<term>Mâle</term>
<term>Perception de la hauteur tonale</term>
<term>Perception du temps</term>
<term>Psychoacoustique</term>
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<front><div type="abstract" xml:lang="en">A monaural study of music perception was conducted on 77 right-handed subjects from a university population. The musical ability of each subject was classified in two ways, according to years of training and by total score for three tests of musical achievement [melody (sequence and excerpt), harmony, and rhythm]. Analysis indicated that subjects with more years of training showed a right-car dominance for recognition of excerpts but those with high scores had no such dominance. Both groups with either low scores or no formal training had a right-ear dominance for recognition of sequences. Correlations of scores from each ear within subjects and between tests indicated that perception of pitch tended to be more accurate in the same car. For all classifications of subjects no ear dominance was found for harmony and rhythm tests. These results suggest that the measurement of hemispheric asymmetry of music perception is dependent upon the criteria chosen for classification of subjects, in this case, training and achievement.</div>
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<DateRevised><Year>2019</Year>
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<Issue>3 Pt 1</Issue>
<PubDate><Year>1996</Year>
<Month>Jun</Month>
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<Title>Perceptual and motor skills</Title>
<ISOAbbreviation>Percept Mot Skills</ISOAbbreviation>
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<ArticleTitle>Effect of music training on monaural perception of pitch and rhythm.</ArticleTitle>
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<Abstract><AbstractText>A monaural study of music perception was conducted on 77 right-handed subjects from a university population. The musical ability of each subject was classified in two ways, according to years of training and by total score for three tests of musical achievement [melody (sequence and excerpt), harmony, and rhythm]. Analysis indicated that subjects with more years of training showed a right-car dominance for recognition of excerpts but those with high scores had no such dominance. Both groups with either low scores or no formal training had a right-ear dominance for recognition of sequences. Correlations of scores from each ear within subjects and between tests indicated that perception of pitch tended to be more accurate in the same car. For all classifications of subjects no ear dominance was found for harmony and rhythm tests. These results suggest that the measurement of hemispheric asymmetry of music perception is dependent upon the criteria chosen for classification of subjects, in this case, training and achievement.</AbstractText>
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Effect of music training on monaural perception of pitch and rhythm.

Effect of music training on monaural perception of pitch and rhythm.

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri

Pour générer des pages wiki